A decorative illustration of a chameleon with intricate, flowing patterns and scrollwork, enclosed in a circular ornate border. Below the image, the text reads 'Jasper Brooke' and 'Historical Fiction'.
A man standing outdoors in a wooded area, wearing a tan plaid suit with a white checked shirt and a patterned tie, with his hands in his pockets and a confident expression.

Hstorical Fiction by Jasper Brooke

Welcome to the World of Jasper Brooke

There is a part of the world that history has not yet finished with.

The great arc of territories that sweeps from the Malacca Straits through the islands and rivers of the Malay Archipelago, Penang, Singapore, Sarawak, Brunei, British North Borneo was, in the late nineteenth and early twentieth centuries, one of the most extraordinary places on earth. A crossroads of empires and trade routes, of ancient Kingdoms and colonial ambition, of rainforests older than recorded history and cities building themselves from nothing in a generation. A world where Chinese merchants, Iban warriors, British administrators, Tamil labourers, Malay sultans and Dayak longhouse communities lived in improbable proximity; sometimes in conflict, sometimes in something approaching harmony, always in ways that the history books have barely begun to capture.

This is where Jasper Brooke sets his stories.

Not because it is exotic (though it is) but because it is true. The details are real. The history is real. The people who inhabited this vanishing world were as complicated, as courageous, and as flawed as any characters fiction could invent. They deserve to be written about with honesty, with care, and with the conviction that their world was as worthy of great storytelling as any drawing room in London or battlefield in France.

Every book Jasper Brooke writes begins here. In the heat and the river light. In the last golden age before everything changed.

Colonial Intelligence Service Novels

Book cover titled 'The Kenyalang: A Colonial Intelligence Service Novel, Book 1' by Jasper Brooke, featuring a colonial-era map of Kenya and a decorative wooden carving of a kenyalang (hornbill).

In Draft

The Kenyalang

England, 1910. Julian Pembroke, a disinherited officer with no family and no future, sets sail for the unknown with Samuel Whitmore; his former batman, his closest friend, and the man he loves. Their destination is British North Borneo, where a distant uncle has left Julian a rubber plantation and the promise of a new life far from the society that no longer has a place for either of them.

But the journey east brings dangers they did not anticipate. A mysterious symbol appearing on plantation boundaries. A shadowy conspiracy involving land fraud, murder, and men with powerful connections.

The Kenyalang is the story of three lost people who found each other, and what they built together in the most unlikely corner of the world.

   Book 1

The Chartered Men

   Book 3

Singapore and Jesselton, 1914

As war breaks out in Europe, its shadow reaches further than anyone in Borneo expects. When CIS recalls Samuel to Singapore as a city stripped of its garrison, its harbour menaced by a German raiders, and its internment camps quietly becoming something more dangerous than anyone will admit; Julian and Ravi are left at Istana Kenyalang to hold what they have built.

Samuel's mission takes him into the networks of wartime Singapore: German prisoners, colonial officials with divided loyalties, and the first threads of a conspiracy that reaches back to a silver framed photograph and four men who have never faced consequences.

Distance tests what the years have built between two men who have learned that secrets kept for love can be as damaging as secrets kept from it.

Cover of a book titled 'The Heart of Borneo, Book 2' by Jasper Brooke, featuring a traditional tribal man holding a spear, dressed in traditional clothing with jewelry, standing on a beach with palm trees in the background.

In Draft

The 7th Earl Pembroke

   Book 4

The Heart of Borneo

Borneo, 1912. Julian, Samuel and Ravi have built something extraordinary at Istana Kenyalang; a home, a family, and a life that defies everything the world expects of them. But Captain Fairfax, the man they thought safely behind bars, has escaped. And he is coming for them.

Forced to flee into the rivers and rainforests of Sarawak, they must seek the protection of Charles Brooke, the legendary White Rajah, while Samuel is drawn deeper into dangerous intelligence work that threatens everything they have built together. As the jungle closes in, each of them must decide what they are prepared to sacrifice for the others.

The Heart of Borneo is a story of courage, loyalty, and the lengths a family will go to protect itself even when that family is one the world refuses to recognise.

   Book 2

Sandakan 1915

When Julian's brother Henry is killed on the Western Front, a telegram arrives in Jesselton that changes everything. Julian is now heir to the Pembroke Earldom and his father, the man in the photograph, can no longer pretend his son does not exist.

What follows is a reckoning years in the making: between a father and the son he discarded, between the man Julian was raised to become and the man he has chosen to be, and between an England that demands he return and a life in Borneo that asks him to stay.

Samuel cannot follow him into that world as his equal. Ravi, now a young man with his own claim on the future, refuses to be left behind. The Kenyalang Trust, built to protect what others tried to take, becomes the ground on which the final battle is fought; not with bayonets, but with documents, testimony, and the question of what a man owes to justice when justice requires him to destroy his own family.

Book cover of 'The Chartered Men,' a colonial intelligence service novel by Jasper Brooke, featuring a black and white photograph of five men in formal attire seated at a dining table, inside a richly decorated room with framed pictures and a chandelier.

In Development

Two men dressed in vintage attire standing in a richly decorated room with portraits on the wall, one holding a bowler hat and the other a white helmet, with a wooden clock and furniture in the background.

Unwritten